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The Friendship Between Alice Gould and Montserrat Castell

Los renglones torcidos de Dios

The friendship between Alice Gould and Montserrat Castell is one of Alice’s most immediate and sustaining connections inside the sanatorium. It begins with reciprocal sympathy, takes shape through small acts of guidance and physical reassurance, and later becomes a channel for private news and urgent appeals. Montserrat is both a staff member bound by institutional rules and a person Alice trusts; the strain between those roles gives their closeness much of its significance.

First Impressions and Mutual Sympathy

Montserrat first appears as a young woman in sporty clothes. Alice is curious about her almost at once: instead of speaking about herself, she wants to know why her luggage is there and what work or mission has brought this pleasant young woman to the sanatorium. The exchange establishes a relationship that is not merely formal. Alice approaches Montserrat as a person whose character interests her, even while she is trying to understand the strange circumstances of her own admission.

Their first encounter ends in shared laughter. The narration describes sympathy flowing clearly in both directions, making the warmth mutual rather than a kindness supplied only by a caregiver to a new resident. That reciprocity matters in a place where Alice is entering unfamiliar routines and cannot yet know whom to trust. Montserrat’s welcome gives her an early point of human contact; Alice, in turn, responds to Montserrat’s friendliness with lively interest.

Montserrat offers to help Alice take her first steps in the institution, explain the sanatorium’s customs, and advise her if Alice will allow it. The offer combines practical orientation with personal availability. Alice has asked what Montserrat does, but the answer extends beyond a job description: Montserrat presents herself as someone who can help Alice make sense of life there. The friendship thus begins within an institutional arrangement, yet is marked from the outset by the possibility of chosen confidence.

Care, Boundaries, and Trust

The relationship is shaped by the limits placed on staff and residents. In a conversation about gifts from residents, Montserrat says that accepting one could put her job at risk. At the same time, she makes clear that she wants to stay close to Alice for as long as Alice lives in the sanatorium. The juxtaposition is revealing: she cannot disregard the rules, but neither does she reduce her connection with Alice to a professional obligation. Her wish for closeness is stated alongside an awareness of what the institution permits.

That promise becomes tangible when Montserrat asks whether Alice wants her to stay while she lies down. Alice answers by asking her not to leave until she has fallen asleep. She thanks Montserrat for her kindness, asks her to squeeze her hand, and admits how tired she is. The scene gives their bond a quiet physical form: a hand held through the vulnerable interval before sleep. Alice does not ask for advice or explanation at that moment, but for Montserrat’s continued presence. The friendship offers reassurance through attention and touch, not through any claim to solve the conditions surrounding them.

Alice’s later thoughts confirm that Montserrat has become one of the people whose company she most enjoys. She places her alongside César Arellano and Ignacio Urquieta, a small group whose regard matters to her as she tries to appear normal. The mention links affection with self-presentation: Alice wants to be accepted by people she likes, and Montserrat belongs among those whose company carries particular emotional weight. The text does not make Montserrat the only source of support, but it gives her a distinct place in Alice’s trusted circle.

Private Confidence and Difficult News

At a later meeting, Montserrat closes the door and speaks in a very low voice. Alice has just described something as involuntary, but the available account does not specify the action, and the scene does not permit a fuller explanation of what has happened. What it does show is a change in the manner of their exchange: privacy becomes important, and Montserrat is the one who ensures it. She then tells Alice that she has a great surprise for her and is eager to give her some happiness, while indicating the padded walls around them. Alice responds that Montserrat has succeeded. The precise nature of the surprise is not established here, but the exchange shows Montserrat trying to bring Alice relief in a setting that makes confinement physically conspicuous.

Their confidence also carries messages beyond the two of them. Alice asks Montserrat to speak to Samuel Alvar and find out whether he has realized who Alice is, adding that he will understand what she means. The request makes Montserrat a trusted intermediary in a matter Alice does not want to explain fully at that point. It also shows how their friendship operates under pressure: Alice turns to Montserrat not only for comfort, but to communicate with someone whose understanding may affect her situation.

Another conversation leaves Alice stunned by news Montserrat has given her. Alice cautions that anything she says while still dazed by it should be understood in that light. Montserrat, in turn, rejects the idea that the matter is a contest of merit and illustrates her point by referring to the Niña Oscilante. The evidence does not identify the full subject of their disagreement or the news that prompted it. Even so, the exchange shows Montserrat explaining rather than simply soothing: she offers an example and resists a competitive way of measuring people. Alice’s admission that the news has left her at a loss marks the trust required for such a conversation.

Loyalty Under Pressure

The friendship is tested when Alice becomes angry with Samuel Alvar. Montserrat tells her that Samuel has ordered her to remove Alice, placing Montserrat between the institution’s authority and the person to whom she has grown close. Alice’s immediate response is to ask her to find César Arellano and then to help her escape. These requests are urgent, but the account does not establish that Montserrat carries them out. Her position is therefore best understood as that of a confidante confronted with a demand for action, not as proof that she becomes an accomplice in an escape.

The scene closes on a gesture rather than a plan: Montserrat kisses Alice and traces the sign of the cross on her forehead. The gesture offers tenderness at the moment when their relationship is threatened by an order from above. It does not resolve the conflict or demonstrate what Montserrat will do next; its force lies in the visible care it expresses. Elsewhere, after an operation whose nature is not specified here, tears appear in Alice’s eyes, and Montserrat’s eyes fill with tears as well. The narration presents their emotion as answering emotion, an echo between them that makes the bond legible without requiring either woman to explain it.

The Friendship’s Place in Alice’s Story

Montserrat’s importance lies in the combination of ordinary care and exceptional confidence. She explains routines, offers advice, stays beside Alice as she falls asleep, arranges privacy, brings news, and receives requests that involve other people. These are different kinds of support, not interchangeable gestures: practical guidance helps Alice enter institutional life, bedside presence answers immediate vulnerability, and private communication becomes crucial when Alice feels misunderstood or constrained.

The relationship also remains bounded by uncertainty. The surviving moments do not disclose the full contents of Montserrat’s surprise, the news that leaves Alice stunned, or the precise action Alice calls involuntary. Nor do they confirm whether Montserrat helps with the proposed escape. Preserving those limits clarifies what the friendship does establish: sustained mutual sympathy, unusual closeness within an institution, and a pattern in which Alice repeatedly chooses Montserrat as the person to whom she turns. When an official order threatens that closeness, Montserrat’s final gesture registers both her affection and the pressure under which it must exist.